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Sightlines
Surfing for Art on the Web

More reviews and information about area exhibits can be found in the Museums & Galleries section of our Entertainment Guide.

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Friday, December 14, 2001; Page WE61

THERE isn't much to look at these days at the McLean Project for the Arts. That's because the art it's showing doesn't exist, except in cyberspace.

"Casting a Net: A Survey of Internet Art" is the MPA's first juried exhibition of Web-based art, part of a pilot program that Exhibitions Director Andrea Pollan hopes will become a regular event. Right now, the group show -- featuring such weirdly named international media art stars as Agricola de Cologne, H-Ray Heine and Stanza, along with locals Robyn Johnson Ross and Lou Janesko -- can be viewed on your home or office computer. ("Great story idea for art couch potatoes who are too lazy to get to a gallery" was Pollan's clever e-mail pitch to the media.)

If you have a slow modem, a small screen and tinny (or no) speakers, you can still come down to the gallery, where Pollan has set up a computer station complete with broadband connection and a large, wall-projected screen image for looking at the digital work. At a panel discussion last week, the curious mingled with experts over "Webtinis" as Pollan and three of the show's four jurors (critic George Howell, digital artist James Huckenpahler and painter/MPA Webmaster Jeffrey Smith) dropped such phrases as "data needs to be exercised" while exploring questions of who the audience for Web art is (other than the few people who make it) and what criteria were used to cull the submissions.

"I pretty much threw out all criteria when I started," Huckenpahler said with a laugh. "How should I evaluate this stuff? Screw it, man. Does it rock my world or not?"

One can get away with such a subjective approach because, quite frankly, there isn't a lot of history or context against which to judge this brave new art. As Alberto Gaitan, a sound artist in attendance, observed, "We're in diapers."

Be that as it may, "Casting a Net" features some excellent examples of the medium's raw potential, including Patrick Lichty's "Sprawl," a dense musing on urbanization and landscape change in the artist's hometown of North Canton, Ohio. Incorporating streaming audio and video, panoramic photography and text, "Sprawl" was one of three winners of last year's inaugural "New Media/New Century" Awards, given by the Smithsonian American Art Museum.

Smith admits that not everything in the show is going to rock everyone's world. "It's called 'Casting a Net' for a reason," he said. "We're throwing the net out there and seeing what we drag up." Pollan, too, has encountered her share of criticism. "A friend of mine accused me of buying into the fetishization of technology."

Not that there's anything wrong with that. Web-based art may be less warm and fuzzy than traditional media, but that doesn't mean it's inferior. As painter and digital art booster Y. David Chung said of the distinction between art that you look at on a computer monitor and art that you nail to the living room wall: "It's the difference between having a fish tank and a dog."

"Casting a Net: A Survey of Internet Art" is on view through Dec. 22 at the McLean Project for the Arts, 1234 Ingleside Ave., McLean. In cyberspace, the exhibition will continue indefinitely at www.mcleanart.org. Click on "Casting a Net" and then on one of the linked art projects. The Gallery is open Tuesdays through Fridays from 10 to 5 and Saturdays from 1 to 5. Free. For more information, call 703/790-1953. For directions, call 703/790-0123.

-- Michael O'Sullivan

© 2001 The Washington Post Company